Glenn Herbert Gould was created Glen Yellow metal on Sept 25, 1932, in Toronto, Ontario, Canada. His mom was a great-grand niece of Edvard Grieg. Small Gould was using piano from age 3, and began regular lessons along with his mom from age 4. At age 10 Gould was accepted towards the Royal Conservatory of. Summary: 32 SHORT FILMS ABOUT GLENN GOULD is a highly original, creative and at times off beat presentations about the life of an extremely talented but eccentric concert pianist. This is not a documentary in the traditional sense, nor a docudrama, but rather a series of vignettes, observations, meditations, and variations on a complicated theme.

• Imdb 32 Short Films About Glenn Gould

Posted onThe cult of Glenn Gould - Los Angeles Times“Genius Within: The Inner Life of Glenn Gould delves deeper into the influential pianist's elusive CINEMA ONLINE. As Thirty Two Short Films About Glenn Gould showed, the genius is not in the quirks. Laemmle Royal in Los Angeles, before seven floating U.S. Prints land at dates in October and November in St. The highly acclaimed and famously eccentric classical pianist Glenn Gould is the subject of this idiosyncratic film portrait. As the title suggests, Gould's life is.

Glenn Gould's first interpretation of Bach's Goldberg Variations sold millions – but he hated his films and one full-length feature (Thirty-Two Short Films about Glenn Gould). And the internet is full of sites devoted to him, ranging from official. Auction type. Dates.His withdrawal from concert life shocked both critics and the public, who felt he was turning his back on them at the height of his fame. But Gould had been planning to leave for years and had been telling reporters as much since the s. He had his reasons.

The most notorious of these was a belief that the live concert would cease to exist by the year and would be replaced exclusively by recordings.It permits him to encounter a particular piece of music and to analyze and dissect it in a most thorough way, to make it a vital part of his life for a relatively brief period, and then to pass on to some other challenge and to the satisfaction of some other curiosity.He compared this process to the making of films, where scenes are frequently shot out of sequence and then pieced together in the editing room. Gould even imagined a time in the future when the home listener could obtain an editing kit by which his or her own ideal performance could be produced by splicing together, say, one orchestra playing the first movement of a symphony, another playing the second movement, and so on.Perhaps his most important undertaking for these media was the Solitude Trilogy, a series of three docudramas he wrote and produced for CBC radio: In addition to his roles as pianist and media figure, Gould was also a composer and writer. He wrote articles and essays throughout his life that developed his ideas about musical interpretation and analysis, the recording industry, and the electronic media, many of which were published in North American periodicals. He was also involved in creating music for films, including Slaughterhouse Five, inand The Wars, in Nonetheless, one can reason that by avoiding the distractions of the outside world, Gould was able to explore music and ideas in a way that would have been otherwise impossible.So You Want to Write a Fugue?

Also composed scores for films, including Slaughterhouse Five,and The Wars, Schoenberg, Three Piano Pieces, Op. Thirty Two Short Films About Glenn GouldSchoenberg, Five Piano Pieces, Op. Schoenberg, Piano Pieces, Op.

A Glenn Gould Fantasy, Haydn, Selected Sonatas, Bach, Goldberg Variations, Glenn Gould the Composer, The live concert experience was demeaning in his mind, making him feel like a 'vaudevillian'.Gould turned instead to the electronic media. Here, one could 'create' in a controlled environment and ultimately communicate better. Thirty-Two Short Films About Glenn GouldUnlike most classical musicians at the time and even todayGould embraced all aspects of the studio recording art. He loved the 'Take two-ness' of the recording studio, as he called it. He became a prolific writer, on both musical and extra-musical topics.

His sleeve-notes, articles for periodicals, reviews, scripts, interviews, and public lectures show a writer of incredible talents and provocative thought. For the sleeve-notes to his own recording of Beethoven's Appassionata Sonata, Gould wrote: Composition had appealed to him since childhood, but after his String Quartet, Op 1 from the s, he completed very few pieces of music.Instead, he turned to the radio documentary, which he viewed as a kind of contrapuntal form of audio, created much like a composer creates a piece of music. These radio programmes are colourful, tightly-knit fabrics of audio that weave together speech, information, drama and music.He also arranged music for two feature films: Slaughterhouse Five and The Wars Then inGould decided to re-record Bach's Goldberg Variations. He had never revisited any other music before. To any other artist, this would be tempting fate. Over a quarter of a century had passed since and both he and recording technology had changed dramatically. That must have been the appeal for him: In the fall ofGould began a new phase, this time as a conductor.He would never have pursued the role of the public, live concert conductor. Car digital tv tuner usb adapter.

He put together a chamber orchestra, including members of the Toronto Symphony Orchestra, and recorded the original chamber version of Wagner's Siegfried Idyll.The work had long been a favorite. He had even made his own piano transcription, and recorded it in the s for CBS.

Conducting Siegfried Idyll was his final recording. On September 27,not long after the release of the second recording of the Goldberg Variations, he suffered a stroke. He died in Toronto on October 4, a little more than a week after his 50th birthday. Today in Toronto, the memory and legacy of Gould are strong.Two international conferences have been held in Toronto, in andwhich have drawn fans and devotees from around the world. Novels, plays, poems, visual art, music, and the film Thirty-Two Short Films About Glenn Gould have all added to his stature, not to mention countless radio and television documentaries.CBC Radio Two is planning an entire broadcast day of tributes, memories and music on the 70th anniversary of his birth, September 25, The Glenn Gould Foundation was formed in Toronto in to co-ordinate and organise his legacy.The Foundation awards a triennial Glenn Gould Prize in music and communications. So what is it about Glenn Gould that has not only kept him firmly in the public mind for 20 years after his death but has even made him increasingly popular? Pianist Emanuel Ax, who grew up in Winnipeg, can remember the hype around Gould in Canada during the s.Today, he believes Glenn Gould and Vladimir Horowitz are two of the greatest pianists because of their individuality.

Whether you agree with Gould or not, says Ax, every pianist since has been influenced by Gould in some way or another. His communicative strengths were unbelievable, but there was also an ecstasy in Gould's playing. He was exalted by the music he was performing, as was Alfred Cortot in Chopin.

Ax was introduced to the piano music of Richard Strauss by Gould's landmark recordings, and now frequently performs selected Strauss works.He's also recently started to study the Bach Partitas, having previously been afraid to tackle them, because of the Gould legacy. But it's not only Gould's music-making that appeals to Ax.He believes that The Glenn Gould Reader, a compilation of Gould's writings, is one of the most powerful books on musical thought and opinion. The Glenn Gould Reader's editor, Tim Page, agrees that the secret to the longevity of Gould's reputation is his originality. The love, ecstasy and intensity of Gould in music were infectious. Like Leonard Bernstein, Gould was great to watch.

Both of them responded to music honestly and genuinely, and in the heat of performance there was an unpredictable excitement.No two concerts were the same. ARCHIVED - Writings - Further Research - The Glenn Gould Archive - Library and Archives CanadaThere was an immediacy and spontaneity, creating an electric quality that kept audiences on the edge of their seats.

Not all of his recordings were stellar. Page believes that some were actually quite bad.But that's the appeal.

Imdb 32 Short Films About Glenn Gould

Good or bad, Gould was always challenging, always fascinating. To Page, another reason for Gould's lasting power was his personality. He shunned the usual trappings of the piano virtuoso, although he could easily have accepted them. His cool, reserved charisma made him stand out even more. This quiet, solitary character of Gould has caused some to label him a hermit and a recluse.But according to Stephen Posen, Gould's lawyer and friend, and now the sole executor of the Gould Estate, he was warm and fun, far from anti-social. He was a perfectionist, and sought complete control under his own terms. This, of course, was one of the reasons behind his retirement from public performance.

The recording studio helped Gould get closer to musical perfection. But the goal of perfection was all through his life. Posen recalls frequent, long telephone conversations during which Gould would often stumble while speaking, struggling to get his thoughts and words just right.He also would often phone Posen, and read him thoughts and writings over the phone, after slaving to get them perfect on his own.